Mark regularly collaborates with New Perspectives and has previously lit Farm Boy, Those Magnificent Men, Wasteland, Sir Gawain and The Green Knight, The Hired Man, Saturday Night Sunday Morning, The Evidence, The Ghost Downstairs, Long Way Home and Last Train To Nibroc. Recent theatre credits include: Cinderella, The Young Ones, Ladies Down Under, The Woman Who Cooked Her Husband (Queen`s Theatre); A Russian Play (Lion and Unicorn); Wind in the Willows, Treasure Island (Watermill); Star of Wonder (Theatre in the Quarter); Friend or Foe (Scamp); 20,000 Leagues Under The Sea (Nuffield Theatre); Bollywood Baraat (Art Asia); Best Little Whorehouse in Texas, Oliver! (Bermuda City Hall); Town (Northampton Royal); Alice in Wonderland (Nuffield Theatre);The Mystery of the London Eye (Unicorn Theatre); Shirley Valentine (Royal Court Liverpool); World`s End (Trafalgar Studios). Other theatre credits include: The Full Monty (Bermuda City Hall); The Comedy of Errors and A Midsummer Night`s Dream (Ludlow Castle); Sleeping Beauty, How to Beat a Giant (Unicorn); Broadway in the Shadows (Grand Theatre de Luxembourg); Educating Rita and Breezeblock Park (Liverpool Playhouse); James and the Giant Peach, Frankie and Johnny in the Clair De Lune, Another Sun, Spoonface Steinberg, Holes, Scent, Shoah, Ballroom, The Weir, The Entertainer, Last Train to Nibroc, Macbeth (Nuffield Theatre); Theatre CafĂ©, Virgins (Company of Angels); Beauty. Sleeps (Young Vic Company); St George and the Dragon, Jason and the Argonauts, World Cup Final 1966 (Carl Heap and Tom Morris); The Portrait of Dorian Gray (Vienna`s English Theatre).